Events

Fifty Pounds of Cheese

On Wednesday March 30, passport in hand, our intrepid MELTers traveled through the raclette rivers and fondue forests to visit each of our five amazing cheese stations. First stop? The accompaniments table! A veritable cornucopia of mouthwatering treats from homemade pretzel bites to Gordy’s pickles, to a selection of our favorite charcuterie, this table featured something special for everyone (and every cheese).

Passport to Cheese

Choosing Accompaniments

Next, our fearless cheese fiends found sanctuary in a down-home Midwestern favorite: Wisconsin Cheese Curds. These ooey-gooey, deep fried pieces of heaven were an instant classic–especially when paired with Chef Johanna’s homemade marinara! Don’t just take our word for it though, stop by Spritz O’Clock soon to taste these mini marvels for yourself.

Wisconsin Cheese Curds

Further into the cafe, our daring patrons were treated to the dazzling spectacle (and mouthwatering aroma) of raclette being melted to order. When paired with Gordy’s Pickles and starchy potatoes, this station was a #MELTy indulgence beyond compare. For those of you looking to recreate this moment at home, stop by and pick up a Partyclette machine from our cheesemonger and be the host with the most at your next dinner party.

Enjoying Plates of Raclette

Before following the scent of cheesy goodness upstairs, our noshing nomads made a quick stop in the wine room for a triumphant taste of American Pub cheese. This beer based bite of bliss paired perfectly with the Port City Porter and Chef Johanna’s homemade pretzel bites. Pretzels, porter, and pub cheese? What more could a party provide?!

Dipping into American Fondue

The answer to that question lay waiting for patrons upstairs in our laboratorio where Chiara was serving an Italian Fonduta over perfectly toasted baguette. This truffle infused #MELTy masterpiece was clearly a crowd favorite, as it was the first to disappear. Fortunately, Federico came to the rescue and delighted our dauntless diners with handmade cheese ravioli. For those who missed it, he will be hosting an encore pasta performance in the Cafe every day at lunchtime.

Italian Fonduta Station

Last, but certainly not least, our gallant and engorged guests found themselves faced with a meal of mountainous proportions…or at least flavors. The Alpine Fondue station, featuring smooth, garlicky, Swiss flavors had everyone yodeling for more.

Bill at the Alpine Fondue Station

We would like to say a special Thank You to all of our courageous cheese connoisseurs for making this event such a success. We went through fifty pounds of cheese, but our cheese counter is still stocked! For those of you who weren’t able to attend (or want to relive the night), we have a special treat: visit our cheese counter and take home a fondue kit, specially curated by in-house Cheesemonger Alice Bergen Phillips and make a little #MELTed magic of your own.

Mini Fondue Kits

A MELT Retrospective Read more

On Wednesday March 30, passport in hand, our intrepid MELTers traveled through the raclette rivers and fondue forests to visit each of ...

Bottomless Bellini Brunch

Brunch wasn’t until the afternoon, but the laboratorio kitchen got busy around ten o’ clock on Easter morning. Marco, Chiara, Bill, Suzy and Federico had their work cut out for them: in three hours, nearly 20 people would arrive to celebrate Easter, Italian-style. All hands were on deck, working together to create four glorious courses. Here’s a behind-the-scenes look at all the hard work and creativity that made this meal possible!

Bill skinning potatoes, which were later served as Contorni.
Bill skinned potatoes with a smile this morning.
Suzy and Chiara make an excellent team.
When they put on their aprons, Suzy and Chiara mean business.
Chiara beginning the Ciramicola, a colorful holiday cake.
Chiara starting the Ciramicola, a colorful holiday cake.
Marco mixing the dough for cherry cubotti.
Marco mixing dough for cherry cubotti.
Federico making tagliatelle from scratch.
Federico making tagliatelle from scratch.

The real fun began once all the guests arrived. Bellinis (and mimosas) flowed steadily, and families gathered around our communal table with friends new and old to celebrate.

One of our younger guests  made quite a splash with her stylish bunny ears!
One of our younger guests made quite a splash with her stylish bunny ears!
Bill is a generous pour when it comes to Bellinis (and mimosas!).
Bill is a generous pour when it comes to Bellinis (and mimosas!).
Marco and Chiara's daughter, Viola, enjoying Easter salami.
Marco and Chiara’s daughter enjoying Easter salami.

We hope you’ll join us for our next holiday celebration! On April 23rd, we’ll host a Seder dinner to celebrate Passover. As always, guests of all faiths are welcome.

Buona Pasqua, and many thanks to all who shared their Easter with us today!

 

 

 

 

 

Easter in Via Umbria's Laboratorio kitchen Read more

Brunch wasn't until the afternoon, but the laboratorio kitchen got busy around ten o' clock on Easter morning. Marco, Chiara, Bill, Suzy and Federico ...

Myth, Magic, and Folklore: The Art of Giuseppe Fioroni

On Saturday, April 2nd, our sun-filled Galleria will open with an art exhibiti featuring the works of the celebrated Giuseppe Fioroni.

Fioroni lives and works in his native Perugia, the regional capital of Umbria. A self-taught artist, he discovered his lifelong passion for painting as a young man. He has described Umbria as “a land of calm, a beautiful land, a land full of vibrations.” The greennery of the region, he has said, “is especially unforgettable,” and his love for Umbria’s olive trees and vineyards, as well as the oil and wine they produce, are inseparable from the place itself. His art has brought him all over the world, but he continues to live in Umbria, the province where he was born.

As a child in Perugia, Fioroni grew up surrounded by Umbrian folklore, mysticism, and traditional music. These themes lie at the center of his art. His vivid oil and multimedia paintings, Fioroni explores fantasy, fable, and magic through maelstroms of color and emotion. Often, he marries traditional folk narratives with elements of reverie and daydream, demonstrating a fascination with the liminal space where esoteric culture and unbridled imagination intersect.

Giuseppe Fioroni, Il Medicante Orfano, 2003.
Giuseppe Fioroni, Il Medicante Orfano, 2003.

When he set out to paint full-time, he was president and CEO of a company with 1,200 employees. Although he had always been a skilled artist, Fioroni did not want to paint professionally until the age of 36. At first, he created small paintings, never with the intention to exhibit them. He simply wished to paint. He first exhibited work in 1978 at the San Severo Gallery in Palazzo dei Priori in Perugia. He has also branched out from painting to add drawing, sculpture, and ceramics to his repertoire, and has achieved international acclaim for his work.

In addition to his pursuit of the visual arts, Fioroni is also an adroit musician of several ancient instruments, including the barrel-organ and the bagpipe. At was 8 years old, he was already a solo accordionist, Across Perugia, his musical skill has earned him the nickname “Maestro.”  Music is an integral part of Fioroni’s quest to unearth the deepest spirit of Umbria’s folk traditions, and his love for folk music can be observed in the stunning lyricism of his paintings, drawing, ceramics, and sculpture.

Giuseppe Fioroni, Gli Sposi, 2005.
Giuseppe Fioroni, Gli Sposi, 2005.

Fioroni’s work has also been influenced by the mix of musicians who make the yearly pilgrimage from around the world to Perugia to participate and perform in the Umbria Jazz Festival.  His gallery in Perugia often hosts artists who visit the city.  In 2008, he was commissioned by the festival organizers to create the official Umbria Jazz poster for the celebration.  Much of his work reflects the influence of jazz in his life. Often, Fioroni will alternate between painting and playing music. “Painting serves my body,” Fioroni has said, “and music serves my spirit.”

Over the past 30 years, Fioroni’s vivid, original body of work has won him adoration, acclaim, and international renown, and we at Via Umbria are very proud to showcase his work in our Galleria. Over the years, Bill and Suzy have cultivated a special relationship with Giuseppe, and are thrilled to introduce him and his remarkable work to you.

Join us in for celebrating the work of Giuseppe Fioroni at our Gallery Opening on April 2nd from 5:00 – 8:00 pm. The event is free to the public, and light refreshments will be served. We hope to see you there!

 

The works of Umbrian artist Giuseppe Fioroni Read more

On Saturday, April 2nd, our sun-filled Galleria will open with an art exhibiti featuring the works of the celebrated Giuseppe Fioroni. Fioroni lives and works in ...

How To Pasta The Time

Three o’ clock is a blissful hour at Via Umbria. Late afternoon sun streams through the storefront windows, bathing the shelves in soft, golden light. Since I started writing for Via Umbria last month, this has always been my favorite time to pop downstairs and taste the scrumptious samples scattered throughout the shop: perhaps a morsel of mostaccioili by the register, or a cheddar crumble at the cheese counter.  But yesterday, tantalizing aromas of bacon and freshly grated parmesan wafted from the cafe, and I had a hunch that an even greater snack lay in store.

Ernesto Parziani, chef and owner of the celebrated Umbrian restaurant Perbacco, was in the midst of a mouth-watering pasta and sauce cooking demonstration. With his week-long visit drawing to a close, I knew that this was an opportunity not to be missed.

Rolling pin in hand, Ernesto smiled and waved me over to his station, which was scattered with eggs, flour, parmesan wedges, and an array of pasta-making instruments. Water boiled next to a sizzling pan of bacon on a portable stovetop. I trotted over as Ernesto began to press a small, yellow mound of dough into the table.

I thought of the trays of delicate, ribbed tubes of Garganelli pasta that participants fashioned in his cooking class on Sunday, and wondered what was in store for this dough.

“I like to teach fresh pasta,” Ernesto told me as he rolled the mound of dough into a circle the size of a tortilla. “But you must find right consistency. If it’s too hard, it is difficult to roll. If it’s too soft, it sticks to everything.” He began to dust the dough with fine, white flour.

“My favorite dish to make is pasta. For us, in Italy, it’s like bread,” he explained, We eat it all the time, everywhere, with vegetables, with meat sauce, with fish, with eggs.” I gulped, mouth watering at the thought of such a world. Ernesto began pressing the dough into the taut steel strings of a chitarra, a guitar-like cooking instrument that Ernesto used to slice the flat yellow circle of dough into delicate strands of pasta before my eyes.

This dough will become spaghetti a la chitarra.
This dough will become spaghetti a la chitarra.

I hovered over him in awe.  “How did you learn to do this?” I asked.

“It was obvious,” he shrugged. Of course. I should have known.

“When you see your mother, your grandmother make pasta three days a week, it is obvious,” Ernesto smiled. I glanced down again at the spread of ingredients, and wondered aloud about the presence of the eggs. Wasn’t pasta just … water and flour?

“In Umbria,” Ernesto explained, “we used to make pasta without eggs. Just flour and water, or perhaps one egg white without the yolk. It’s called Strangozzi.” Ernesto pried a strand of pasta from the chittara and brought it to his neck, feigning strangulation. “We eat it simply, at home, with tomato sauce.”

“You see,” he continued, “in Umbria, we started to add eggs when we began selling eggs to make money. But in the North of Italy, they have always used a lot of eggs. For example, where my wife comes from–Parma, Bologna, places in the region of Emilia-Romagna–they use a lot of yolks … and this.” Ernesto gestured towards a large bowl of white flour.

“But in the South, like Sicily, near North Africa, they make dry pasta, with semolina.” He pointed to a smaller dish of tan, coarse flour. “They make pasta, but they make couscous too. Whereas in the North, they make pasta, but also they use corn flour to make polenta.” Ernesto arranged his raw pasta into a nest on the table.

This pasta-making instrument is called a "chitarra" (Italian for guitar) because of its strings.
This pasta-making instrument is called a “chitarra” (Italian for guitar) because of its strings.

“It’s too much for one person,” he sighed.

“I could eat it all!” I exclaimed.

Ernesto shook his head. “No. Too much for one person.”

As he dropped the pasta into the boiling pot, I remembered that in Italy, pasta is just one of many courses in a meal. But before I could finish that thought, Ernesto had tossed the pasta into a pan, where he speedily sautéed it in bacon and carbonara. Suddenly, a masterpiece lay before me. My heart fluttered–even if it was “too much for one person,” no one else was there to eat it with me! But as Ernesto grated a pile of fresh parmesan onto his creation, I heard Bill’s voice ring out from across the cafe.

“We got here just in time!” he called to us, an old friend following just behind him. I sighed as Ernesto divided the spaghetti onto four plates. My glutenous, gluttonous dreams had been dashed, but that ceased to matter as soon as I took the first bite. It was absolute heaven, and once I’d cleaned my plate, I realized that Ernesto had been right. Any more than that would have been too much. I thanked him heartily, and walked back to my desk feeling sated, but not gorged. And for that, I was grateful.

 -Lizzie

The secret to Ernesto's mouth-watering pasta Read more

Three o' clock is a blissful hour at Via Umbria. Late afternoon sun streams through the storefront windows, bathing the shelves in ...

Just Fondue It

Here at Via Umbria, we’re more than fond of fondue. Cheese is amazing any way you slice it, but something inexplicably delicious happens when you add a little melt to the mix. On March 30th, we will be throwing a Fondue Fest to celebrate all things melty and cheesy. Here’s a taste of what we’re serving up!

FONDUE. Named Switzerland’s national dish, this delicious way of eating melted cheese has been adopted by much of the world. “Fondu,” the past participle of the French verb “fondre,” means melted. To keep fondue true to its name, a candle must be placed beneath the fondue pot to ensure the cheese remains in liquid form. Long forks are then used to dip bread or vegetables into the pot. Simple, cheesy, and amazing! Our party will take a look at three different sorts of fondue: the Alpine classic, made with Swiss cheese and white wine; Fonduta, an Italian-style fondue made with Fontina and truffles; and American pub cheese, a beer-and-cheese combo traditionally served with soft pretzels.

 

A candle keeps classic fondue at the perfect consistency.
A candle keeps classic fondue at the perfect consistency.

RACLETTE. Another Swiss cheesy treat. Raclette is one of my absolute favorite ways to consume melted cheese. Derived from the french word racler, meaning “to scrape”, Raclette is both the name of the cheese itself and the dish it’s used for. Traditionally, half a wheel of Raclette is heated in front of a fire, and then the melted part of the wheel is scraped off over boiled or roasted potatoes. In lieu of an actual fire, we’ll be using a Raclette machine to melt our amazing Swiss Raclette over potatoes (or potato chips, if you prefer a bit more crunch).

 

Raclette has an inviting, aromatic scent. Like  Gruyère, it does not separate when melted.
Raclette has an inviting, aromatic scent. Like Gruyère, it does not separate when melted.

FRIED WISCONSIN CHEESE CURDS. Hailing from the midwest, this dish is near and dear to my heart. Cheese curds are the first form that any cheese takes. See, in order to make cheese, milk must be separated into curds (the solid part of the milk) and whey (the liquid part). After that, most cheese curds are formed and aged to create different styles of cheese. But you can also eat the curds themselves! They taste fresh and feel squeaky under tooth. You can also take those fresh curds, dip them in batter, and fry them into decadent melty nuggets. This, in my opinion, is where cheese curds reach their full potential.

These golden cheese curds are little fried bits of heaven.
These golden cheese curds are little fried bits of heaven.

When it comes to these fabulous varieties melted cheese, you simply can’t go wrong. At MELT: A Fondue Fest, we’ll have a different dipping station dedicated to each style, complete with accompaniments and wine or beer pairings. It’ll be the cheesy evening you’ve always dreamed of!

MELT: A Fondue Fest on Wednesday, March 30th at 7:00.

Tickets will be $35 in advance and  $45 at the door. Purchase your ticket before Saturday March 26 and you’ll be entered to win a prize in our #MELTsweeps:
Third Prize: Via Umbria’s limited edition Just Fondue It t-shirt;
Second Prize: A fondue pot to craft cheese creations (and maybe even host your own cheese party!);
First Prize: A custom cheese board;
Grand Prize: A complimentary wedge of cheese each month for a year!

See you there!

 

Alice Bergen Phillips
Alice Bergen Phillips

A fondue party to celebrate all things cheesy Read more

Here at Via Umbria, we're more than fond of fondue. Cheese is amazing any way you slice it, but something inexplicably delicious happens when ...

Spaghetti (and Meatballs) Westerns at Via Umbria

Clint Eastwood3
Last month we inaugurated an entertaining evening activity that we call our “Spaghetti (and Meatballs) Western” dinner-and-a-movie series. Held in our café, typically on the third Tuesday of each month, we screen a classic Italian spaghetti western on a big screen and serve a buffet dinner of fresh pasta with homemade meatballs and tomato sauce. Being an Italian festa, wine flows freely. We think it is a great way to escape and disconnect and enjoy yourself for an evening and we invite you to join us.

ForafewdollarsmoreLast month’s inaugural film was A Fistful of Dollars (“Per un Pugno di Dollari”), Sergio Leone’s classic that is widely credited with launching this unique genre of filmmaking. Seeking to revive the dying American Western, Leone, a fan of American westerns, “borrowed” a story from Japanese filmmaker Akira Kurasawa, fusing elements from Dashiell Hammet’s Red Harvest and Venetian playwright/librettist Carlo Goldoni. The film, which launched the big screen career of Clint Eastwood, is pure Leone, though. Filmed in Spain and Rome’s Cinecitta studio, the incredibly violent, rough and politically incorrect film nonetheless sings. Literally. Many critics see Leone’s work as transforming the American “horse opera,” as Westerns were sometimes called, into Italian opera. Indeed, the soundtrack, written by Ennio Morricone, while sounding like anything but opera, with its whistles, gunshots and other unusual sound effects (one critic at the time described the music as “a rattlesnake in a drum kit”), was written for the most part before filming began, with Leone directing the action to fit to the music, rather than vice versa.

In order to broaden their appeal to the American market, the first spaghetti westerns were released in America in “Americanized” versions. Leone’s name appeared as director Bob Robertson and Morricone as Dan Savio. Later works in the “Dollars Trilogy” (For a Few Dollars More – “Per Qualche Dollar in Piu” and The Good, The Bad and the Ugly –“il buono, il brutto, il cattivo“) were released under the director’s real name, thus bringing out of the shadows the Italian angle of the spaghetti western.

TheyCallMeTrinityPosterWhile we will be showing the other films in the “Dollars Trilogy” on future Spaghetti (and Meatballs) Western nights, this month we turn our attention to a later representative of the genre. Released in 1970 (the “Dollars” trilogy premiered in 1964, 1965 and 1966) our next film – They Call Me Trinity (“Lo Chiamavano Trinita”) represents an attempt to refresh the genre, which by the 1970’s was beginning to lose steam. Enter Terrence Hill and Bud Spencer, an Italian acting duo (Hill’s real name is Mario Giroti) who starred in a number of spaghetti westerns and other action films and who became two of the most famous international film stars of their era. Their “Trinity” series (They Call Me Trinity and Trinity is Still My Name) are perhaps the duo’s most famous, and are considered more comedic and lighthearted than the original wave of westerns. Hill also received acclaim in My Name is Nobody, another spaghetti western that he stars in opposite Henry Fonda. Hill is still popular today, playing Don Matteo, a crime fighting Catholic priest in a popular Italian television series of the same name since 2000. That series, set in Umbria afforded Suzy and me the opportunity to meet Terrence Hill, as a scene from Don Matteo was being filmed outside our friend Simone’s restaurant in Bevagna one Saturday afternoon several years ago. Taking a break from the filming, Hill joined us at our table on Simone’s terrace, enjoying a bite to eat as he told us of his love for the Boston Red Sox (he was wearing a Sox cap to protect him from the sun, which looked great in his priest’s robes!).

Logo_Don_Matteo_9

We invite you to join us this Tuesday for a screening of My Name is Trinity and to enjoy a delicious buffet spaghetti dinner, complete with salad and garlic bread, in our café. Dinner is served at 7:30 and the film will screen at 7:45. The cost is $25 per person and includes wine.

And if you can’t make it this Tuesday (or even if you can), please join us Tuesday, April 19 for a screening of For a Few Dollars More, the second of the “Dollars” trilogy, also starring Clint Eastwood and featuring a brilliant performance by Lee Van Cleef. And be sure to visit our events calendar to view our upcoming Spaghetti (and Meatballs) Westerns. We look forward to seeing you and spending a thoroughly enjoyable evening with you.

Ci vediamo!
Bill and Suzy

A classic dinner and movie combination Read more

Last month we inaugurated an entertaining evening activity that we call our “Spaghetti (and Meatballs) Western” dinner-and-a-movie series. Held in our café, ...

Chef Vickie’s Wine Primer

To prepare for tomorrow’s Montefalco Rosso wine tasting class with visiting Italian sommelier Ombretta Uboldi, we met up with Sommelier and Chef Vickie Reh in the Via Umbria enoteca to learn about the Wednesday night wine line up. Here’s what Vickie had to say about what you’ll be tasting:

In the town of Montefalco in Umbria, they produce a Montefalco Rosso and a Sagrantino. One is not a lesser version of the other. Sagrantino is simply 100% Sagrantino, and the Montefalco Rosso is primarily a Sangiovese. Tomorrow, we’re featuring a selection of Montefalco Rosso wines.

 

The 2011 Pardi Montefalco Rosso.
2011 Pardi Montefalco Rosso

It’s nice, I think, because the Sagrantino is a super deep, dark, extracted wine, and you can’t have something deep, dark, extracted, and tannic with every food. Sometimes you need a lighter wine, and the Montefalco is a lighter wine. It’s still by no means thin, but it’s something that can go with light pork dishes, chicken, vegetarian dishes, and cheese.

 

The 2012 Tabarrini Montefalco Rosso.
2012 Tabarrini Montefalco Rosso

So that’s where we are tomorrow. Ombretta is going to show you wines from 4 different producers: Pardi, Tabarrini, Plani Arche, and Sololoro. Most of them are 70% Sangiovese, 15% Sagrantino, and then each one has a different combination of the last 15%. The Pardi is probably the lightest, and the Sololoro is probably the deepest and darkest. The Tabarrini and Plani Arche are more in the middle, even though they are on the darker side.

 

The 2012 Plani Arche Montefalco Rosso.
2012 Plani Arche Montefalco Rosso

Two are organic, and two are sustainably farmed but not “certified organic.” To a certain extent, you have the same grapes in all of them, but some are fuller, some are lighter, some have different oak treatments, or different soil types and sites. Some are deeper and some are lighter. You really have to taste them side by side to get it.

 

The 2012 Sololoro Montefalco Rosso.
2012 Sololoro Montefalco Rosso

This is just the tip of the iceberg, because we think the best way to learn about these unique wines is to taste them for yourself. That’s why we’re offering several unique opportunities to learn about Umbrian wines in March with Umbrian food and wine experts Ombretta and Ernesto: three interactive wine classes and three dinners featuring Umbrian dishes perfectly paired with the wine’s you’ll learn about. Join us for a class, a dinner, or a combination of both for the ultimate Umbrian wine experience!

Wednesday March 2: Discover Umbrian Wines with Ombretta

Wednesday March 9: Discover Umbrian Wines with Ombretta

Wednesday March 16: Discover Umbrian Wines with Ernesto

Ci vediamo!

All about Montefalco Rosso wine Read more

To prepare for tomorrow's Montefalco Rosso wine tasting class with visiting Italian sommelier Ombretta Uboldi, we met up with Sommelier and Chef ...

Dishing With Chef Jennifer McIlvaine

Acclaimed chef Jennifer McIlvaine has lead a whirlwind of dinners and cooking classes this week at Via Umbria as part of our Terre Margaritelli Takeover. Today, we sat down to chat about camp grills, eno-gastronomic tours, and her transcontinental culinary journey.

How did you get your start as a chef?

Like most people, I started out working in French-based restaurants. Eventually, I worked at an Italian restaurant in Seattle, and then opened a street food business called Bruschettina. This was way before all of the food trucks. I was one of the first people doing street food in Seattle.

What made you decide to do that?

People would go to these hip, chic farmer’s markets all over Seattle to buy organic produce, but there was nothing to eat at the markets except hotdogs and crepes. So I had this idea to cook at farmer’s markets. I would get vegetables from the farmers, bread from the organic bread guys, and then I’d make toppings. I had camp grills, so I would toast the bread and then list the toppings on a little chalkboard saying where I got all the ingredients. It was huge, actually.

Jennifer working the camp grills.
Jennifer working the camp grills.

How did you get from Seattle to Italy?

While I was doing Bruschettina, I won an internship through the women’s chef association to work on an agriturismo in Tuscany. While I was there I would cook private dinners, which is how I met my husband, Federico. Like any good Umbrian, he was like, “No, you can’t be in Tuscany! Come to Umbria!” So on the weekend I would visit him and meet various producers. Then he worked a lot in Seattle after I went back, and eventually we moved to Umbria.

This way for Umbrian agriturismo !
This way to an Umbrian agriturismo !

And that’s when you started working at Il Bacco Felice in Foglino.

Right. I worked for a very well-known chef Salvatore Denaro. It was a crazy learning experience. I had to jump into the Italian way of cooking, which is completely different. Half the time, Salvatore would lay out ingredients and I just had to magically know what to do with them. And I didn’t know! I had no idea. And I didn’t speak the language. But that’s also where I learned how to work a fire grill. We don’t have those in the States unless you’re camping! It was great. After working there on and off for about a year, I opened up my own restaurant, Trattoria Basiliko.

What was that like?

My partner was a woman who had a restaurant around the corner in Foglino. I was in the kitchen and she was in the front of the house. We ran that for about two years. but we both got pregnant at about the same time, so that was the end of that.

How did you get into leading eno-gastronomic tours?

It started very organically. About a year after my daughter was born, somebody was visiting and asked me to to take them to a farm, because when I had my restaurant I was one of the few people who actually went to the farms to buy the meat and produce. Then somebody else asked me to do a cooking class. It started slowly, through word of mouth, and just kind of took off. When people rent villas, especially Bill and Suzy’s house, I cook for them and teach cooking classes. I also do food and wine tours of the area. Lots of cycling, hiking, horseback riding. It’s active stuff, but there’s always food and wine involved. So maybe after cycling, there’s a picnic lunch in the middle of the valley, or after horseback riding we have lunch at Federico’s winery.

The perfect spot for a late lunch.
The perfect spot for a late lunch.

How do you like to cook at home?

We live in the center of an old medieval town, so we have a fireplace in the middle of our kitchen. In the winter, it’s going all the time. I do a lot of cooking on the fireplace … meat, fish … I’ve done pasta over the fire. It’s not easy, but it’s great if you have time.

Learn the tricks of the trade from Jennifer before she leaves town at our Hands On Pizza Party this Sunday! And if you’d like to meet her in Umbria, you’re always welcome to stay at the Via Umbria villa.

 

 

A chat about her transcontinental culinary journey Read more

Acclaimed chef Jennifer McIlvaine has lead a whirlwind of dinners and cooking classes this week at Via Umbria as part of our Terre Margaritelli ...

Talking Olive Oil

In late 2015, scandal rocked the Italian olive oil industry. An anti-fraud investigation found that several major olive oil companies were passing off low-quality oil as extra virgin, and charging customers accordingly. Wondering what all the fuss is about? We sat down with visiting olive oil expert Federico Bibi of Trampetti Olio to figure out the difference between extra virgin and everything else.

“Extra virgin olive oil is mechanically extracted olive oil. There are no chemicals involved in the process,” Federico explains. “It’s very simple.”  Farmers harvest the olives and bring them to a mill, where they’re pitted and smashed. The resulting pulp is processed first in a centrifuge that divides solids and liquids, and then again in another centrifuge that separates water from oil.

“If chemicals are involved in any part of this process … like, to make the oil easier to extract, or if there is heat involved … it’s not extra virgin olive oil,” Federico clarifies.

Trampetti, Federico’s small olive oil company, has done things the extra virgin way since the beginning. In 1999, while studying at university, Federico and his friend Massimo wanted to get into the food and wine industry. But wine was tricky. “Growing the vines … it’s complicated,” Federico says. “For olive oil, it’s much easier. You need olive trees, then you process the olives, and you get the oil.”

A view from the Trampetti olive grove.
A view from the Trampetti olive grove.

The flip side? “Earning money from olive oil … it’s really, really hard. The process is very expensive. Sixty percent of the production cost of olive oil is just about harvest,” he laughs.

Growers have several options when it comes to harvesting their crop, but not all are methods are created equal. “Basically, you can decide to pick the olives at peak harvest,” Federico elaborates. “You can do that when olives are still green, but harder to harvest, or you can wait till they are more mature, which is much easier. The same person in the same season can harvest almost double the quantity in one day just because the olives are more mature.” This route cuts production costs in half.

Even more cost-effective is the popular approach of stretching nets under the trees and waiting for the olives to fall. “That costs nothing,” Federico smiles. “But here is an example I use all the time when I do olive oil tastings: would you prefer to eat an apple straight from the tree when it’s nice and perfectly mature, or from the tree when it’s overly mature, or from the ground?”

Trampetti does things the hard way, and harvests olives at their freshest. “Our focus is to make an olive oil with the maximum amount of antioxidants,” Federico notes. This makes Trampetti olive oil healthier, and gives it a longer shelf life.

Via Umbria is flush with Trampetti.
Via Umbria is flush with Trampetti.

“The flavor is damaged by oxidation, so a high level of antioxidants means the flavor will stay.” With Trampetti olive oil, “whatever you get in January will be the same in June, or September.” But that’s not common among other brands. “Too often, people will buy oil that stays good for 3, 4, maybe 6 months, then loses its flavor and starts to become sweet.”

Trampetti’s product, of course, costs more than the average $7.00 bottle at the supermarket. “It’s very important to explain to people why there is such a big difference in price for different olive oils,” Federico adds. At Trampetti, quality isn’t compromised to slash retail prices.

But all this is just the tip of the olive branch. Learn more on Wednesday, February 24th at 7 pm for a guided olive oil tasting with Federico himself. See you then!

 

 

 

 

 

 

 

with Expert Federico Bibi Read more

In late 2015, scandal rocked the Italian olive oil industry. An anti-fraud investigation found that several major olive oil companies were passing off low-quality oil as ...

Spritz O’ Clock

When the clock strikes cocktails, know where to go! At Via Umbria, Spritz O’Clock is every cocktail connoisseur’s favorite time of day. Featuring local spirits from area distilleries, our daily happy hour offers the finest libations this side of the Potomac.

Wipe a long day away with a light, bright Aperol Spritz. Prosecco and an orange garnish give this Italian favorite a crisp, fruity finish. Request Campari in lieu of Aperol for bittersweet notes.

A classic Aperol Spritz. For a bittersweet finish, replace Aperol with Campari.
The Aperol Spritz debuted in Italy in the 1950’s, and has been a national favorite ever since.

Nurse a Negroni made with Green Hat Gin from New Columbia Distillers, the first craft distillery to open in Washington, DC. Gin aficionados will also savor our classic G & T, featuring Vigilant Gin from DC’s oldest-newest distillery, Jos. A. Magnus & Co. 

Invented in Florence in 1919, the Negroni is an Italian classic.
Rumor has it that the first Negroni was mixed in Florence in 1919 at the behest of Count Camillo Negroni.

Or, if you’re feeling old school, kick back with our timeless Manhattan, the grandfather of American cocktails. Our rendition sings with a healthy dose of award-winning Roundstone Rye by Catoctin Creek Distillery, the first distillery in Loudon County since Prohibition, and a splash of Capitoline Sweet Rose Vermouth, jointly produced by New Columbia Distillers and Etto Restaurant. An elegant Luxardo maraschino cherry adds the finishing touch.

Whether shaken or stirred, even Mr. Bond would agree that our martini is to die for. This quintessential cocktail derives its smoothness from Royal Seal Vodka, another Jos. A. Magnus specialty spirit. After one sip, you’ll see why the martini has been called “the only American invention as perfect as the sonnet.”

Quench your thirst Italian-style with a simple Campari & Soda, or revel in a sweet spot of Limoncello, MandarinettoConcerto, or ‘5’ Cinque Aperitivo, courtesy of artisanal liqueur producer Don Ciccio & Figli.

So, what are you waiting for? Breeze by any day after 4 pm for Spritz ‘O Clock, the happiest hour at Via Umbria.

Watch and see how to make a perfect Aperol Spritz with ease.

 

The Italian Happy Hour Read more

When the clock strikes cocktails, know where to go! At Via Umbria, Spritz O'Clock is every cocktail connoisseur's favorite time of day. Featuring local spirits ...

A Blizzard To Remember

On Friday afternoon when the flakes began to fall, owners Bill and Suzy Menard said they weren’t going anywhere. Restaurants and businesses shuttered up and down Wisconsin Avenue, but Via Umbria had no such plans. The store had recently moved to Georgetown, and everyone agreed this blizzard would be a perfect opportunity to get to know the neighbors.

A snowy Wisconsin Avenue.
A snowy Wisconsin Avenue.

Scott Weiss, Via Umbria’s resident charcutier, stayed until close that evening with a handful of other staff. “I saw a lot of cases of wine leaving,” he recalls. “We probably sold 6-8 chickens that day … normally we sell about 6 chickens a week.”

By nightfall, the blizzard was in full force. Everyone trekked over to the Georgetown Inn, where they stayed two to a room and made the journey back to the shop on foot the next morning. The glow of the Via Umbria storefront was the only light as far as the eye could see, and the neighborhood took note.

“We were packed all weekend,” Scott remembers. “All the seats were filled in the cafe downstairs, and the communal tables up in the Laboratorio and Galleria were full too.” Chef Simone cooked for coworkers and patrons alike in the Via Umbria demo kitchen, and Scott trotted out his barista skills to keep a steady stream of espresso flowing all weekend. Guests tucked in to the cafe’s stash of boardgames, enjoying endless rounds of Battleship, Quiddler, and Apples to Apples.

“It was fun, because we got to see a lot of people who otherwise would have been busy or working,” said hospitality and events manager Lindsey Menard, who spoke with the Georgetown Current about what it was like to be one of the few neighborhood spots open during the storm.

Many thanks to everyone who dropped by. We hope to see you soon!

 

 

 

 

Throwback Thursday to DC's big blizzard Read more

On Friday afternoon when the flakes began to fall, owners Bill and Suzy Menard said they weren't going anywhere. Restaurants and businesses shuttered up ...